teamLab Borderless

Venue: Odaiba, Tokyo

Lens: Nikkor 50 mm f/1.4 & Samsung S10 camera & Huawei P20 camera

Music: Kraftwerk – Electric café (

Earlier the same day when we visited Mr. Kikuchi and his Kaiseki restaurant from my previous post, we also went to the artificial island of Odaiba to visit teamLab Borderless. Probably it can be most correctly described as a collection of immersive interactive digital art installations flowing freely from one to another. But I think in this case the saying that a picture is worth a thousand words fits perfectly, and I’ll let you explore the place via the pictures instead of trying to explain it.

The first installation we ended up in (there are several paths that randomly lead to different places, so literally we happened to end up at this place, while other visitors might start elsewhere) had many many moving flowers and butterflies and relaxing sounds.
And of course, as almost everywhere in Japan, there were plenty of people taking selfies.
Next stop was a completely dark room full of very strong and concentrated floodlights dancing in a given rhythm.
Still inside the floodlight room, here at a higher intensity light.
Another room, or a wall, with some surreal flora and fauna dancing on it.
A room with artificial lily pads that make various noises when touched.
A very cool room full of cables that you can walk through, blinking in various predetermined patterns with matching sounds. Pretty much impossible to actually describe the place without being inside though.
This is how the other people looked in the blinking room, owing also to the floor covered in mirrors.
Still in the blinking room, going for a more artsy shot.
Another one, with cooler bokeh effect.
This is the waterfall room, where the actual floor is shaped to match exactly the projected moving water pattern.
And here we are at an “infinity” room, made of many small changing lights and fully covered with mirrors to give you the feeling that the space is never ending.
Still at the infinity room, waiting for the lights to change…the default color of all lights was pink as on the top photo but they started changing depending on the human presence in the room.
More of the infinity room… we couldn’t get enough of it really.
The last big hall was devoted to kids and various interactive games. Like this one where jumping on the rubber floor created the illusion of curving space-time around you like a black hole. Pretty cool, no?

Sofia graffiti

Venue: Hadji Dimitar and the Old Jewish neighborhood, Sofia

Lens: Nikkor 50 mm f/1.4 & Samsung S10 camera

Music: Upsurt – Kolega (

After many posts from my travel around the world I decided it’s time for a few local shots from Sofia and its street art. Just like the New York graffiti scene being based in Bushwick (as reported in, the most of street art in Sofia can also be found in the more run-down parts of the city. This makes the street art even more meaningful and beautiful in my opinion, so the two afternoons it took me to walk around the places you’ll see was definitely time well-spent. After browsing through my Bushwick photos and comparing them with the ones below I think you’ll realize the artists in Bulgaria are really world class. So, enjoy!

So we start with the most famous Bugarian street artist, Nasimo, and his mural “Memorial” that features on the top photo as well.
Another mural with a mushroomy theme, by Etam.
This was created by Bozko, who has a very recognizable style and is personally my favorite street artist in Sofia.
Another one by Nasimo, depicting “grandpa Dobri”,who was selflessly collecting money in front of churches in Bulgaria for various charitable causes until his death last year when he was 103 years old.
And another one by Nasimo in the same neighborhood with a rather clear message.
On my way out of Hadji Dimitar neighborhood next to the railway tracks close to Sofia central station I also spotted this mural that carries the unmistakable style of Bozko from a few photos back.
A few weeks later, close to the “women market” in Sofia on the wall of a high school I spotted this mural devoted to the Eastern Imperial eagle.
On a smaller house on the other side of the market…
…and another unsigned piece on my way into the old Jewish neighborhood in Sofia.
This is a more recent one by Nasimo, “Hug life”.
This candle sits on the side of the main fire department of Sofia.
Another unknown (at least to me) street artist with a recognizable style.
An open air parking in the city centre that is often used by younger street artists to practice and paint on top of each other.
Nobody dares painting on top of the other wall of the same parking though. This is Bozko with probably the oldest and most recognizable mural in Sofia, carrying a message to the people in the government offices nearby.
The end of the post comes with a much more recent mural, commissioned by a popular burger joint on the side of the building. I’m not sure who the author is, but the amazing detail and style make it the best street art in Sofia for me.


Art in the metro, Napoli edition

Venue: Napoli underground

Camera: Samsung S7

Music: Funiculì Funiculà (

Another post from Napoli coming with another less commonly featured theme in this blog, contemporary art inside metro stations. Maybe some of you have already seen my photos from the Stockholm metro (, but it’s clear most people don’t immediately make the connection between underground trains and art. Well, I hope my photos help showing you a different and more beautiful example of how metro stations everywhere in the world could look like.

Our journey starts at Universita station under central Napoli, taking the elevator down to the lower level.
At the lower level of Universita station…
…and getting close to the train platform.
The next stop is Vanvitelli!
An eerie looking pentagram on the way out of Vanvitelli.
After some time on the outside for a pizza and some gelato (ice-cream) we headed back to Vanvitelli and the next train ride.
We stepped off Materdei, not because we were actually heading this way but because I wanted to have a look at the station.
Upstairs at Materdei…
..and back down to the platform and onto the next train to…
..Toledo station, at the historic centre of Napoli.
I am pretty sure Toledo station is ranked among the most amazing metro stations in the world. If not, it should be!
You see the very first photo of this post? This is the view when you’re actually on that elevator and looking up. It’s not a black hole, but actually a window all the way up above the ground.
And after going out of the station I of course had to take a look down through that same window and the elevator beneath. A pretty cool way of leaving the metro and getting to explore the city centre, no?


100th post special: People in art musea

Venue: Hamburg, Stockholm, Thessaloniki, Milano, New York city, Venice, Padova, Paris

Music: The Beatles – A day in the life (

So after almost 3 years I finally made it to the 100th post on my blog, which I decided to be a special compilation with some of my favorite shots over the years under the common theme of people observing and interacting with art. If I ever get to showcase some of my photos in a gallery, I imagine it will be a selection similar to this one. So thanks a lot to everyone for following, liking and commenting on my photos! As you know the feedback process is really indispensable to the idea of blogging and I wouldn’t have made it without all this support. So, any further ideas for photo topics or compilations are very welcome, and I hope the next 100 posts are way better!

This is probably my first memorable shot of people interacting with art at the Deichtorhallen in Hamburg –
Another photo where the observer involuntarily mimics the photo of Picasso by Irving Penn, at the Met in NYC –
Nude - Amedeo Modigliani
And yet another instance of strange resemblance between the visitor and the painting by Amedeo Midigliani in Guggenheim museum in New York –
This is not a museum, but the beautifully decorated Stockholm underground system. The passers by rushing on with their life involuntarily take part of this gigantic art piece –
Another case where the passer by unknowingly takes part of the art installation, the red cubes of Lary Bell at New York’s Whitney –
An art installation with mirrors infinitely reflecting the hearts and the people in the room, at the “Love” exhibition of Museo della Permanente in Milano –
Crossing the Atlantic once more, the Starry Night of van Gogh at MoMA in NYC is literally hypnotizing some of the visitors –
A visitor at the photo museum of Thessaloniki watching the portraits of migrants during the refugee crisis in Europe –
Another visitor of the exhibit of Irving Penn at the Met, it’s never too late to be inspired –
Sometimes you’re just lucky to incidentally capture a rushing visitor that emphasizes the art behind, again at the Met –
And other times the real live people are the whole point of the art installation, here arranged by Edith Dekyndt for the Venice biennale –
But maybe the most fun is when the art is designed to feature random visitors such that the sights and sounds are constantly changing as in the project of Tomas Saraceno for Palais de Tokyo in Paris –
Not a museum, but some street art in the centre of Padova. Who wouldn’t take a photo, and a photo within the photo –

Palais de Tokyo

Venue: Palais de Tokyo, Paris

Lens: Nikkor 50mm f/1.4

Music: Kraftwerk – Metropolis (

Recently I was in Paris for work and one evening had the chance to visit Palais de Tokyo, one of the major modern and contemporary art musea in the centre of Paris. Of course, just like in all other contemporary art spaces, the exhibitions can be fairly abstract and might not appeal to everyone. The particular exhibition I was lucky to catch (as I really enjoyed it very much) was called ON AIR by the Argentinian Tomas Saraceno. The main theme was interconnectedness and it was explored by a series of installations that included plenty of real spider webs, as well as interactive rooms where people could touch various objects (e.g. the photo on top) and thus actively participate in the creation of the pieces of art. Unlike usual, I won’t be describing in detail my photos in the captions in order to keep a bit of mystery (deliberately increased by my black and white choice for all the photos). I instead urge everyone interested to have a look at the official webpage,, or even better just go visit the place.

But before letting you explore the pictures, I have a quick question: while collecting the photos I realized that a recurring theme in my shots is how people watch and interact with art. So I’m wondering if it would be interesting for you to see a dedicated post where I make a short collection of shots with real people observing art pieces? Let me know, and enjoy the rest of the photos!


Venice biennale II: Giardini

Venue: Giardini, Venice

Lens: Sigma 35 mm f/1.4

Lightroom preset: Old Polar

Music: Richard Wagner – Tannhäuser, Overture (

This is the second part of my contemporary art biennale visit in Venice in 2017. Here are some selected photos from the Giardini part of the exhibit (literally, the Gardens), hosting most of the country pavilions. An example is the top photo of a suitcase in the Austrian pavilion where the main topic was immigration. As suggested by the name, the biennale takes places every two years, for about six months at a time. So the next one in 2019 is just around the corner, in case you’re into contemporary art.

We start with a shot of a video of an artist walking on rope and transporting paintings between two neighboring hills deep in the mountains of (I might be wrong here, but I think I’m not far off) Armenia.
Probably a more standard art installation, somewhat reminding me the works of Rauschenberg. I really don’t recall which pavilion hosted it.
Another “more standard” piece of contemporary art that my memory cannot place properly. Most of the exhibits and country pavilions were way more exotic and conceptual, but this also made them harder to include here as they would not always concentrate on visual perception.


“The artist is asleep.” This is also the beginning of the text, written in Russian and part of the general Viva Arte Viva composition.
I’d be happy to give you an explanation here, but I really don’t remember. So, anyone venture a guess?
I do remember this one: the pavilion of Israel. They intentionally grew mold in the empty building for a year before the start of the exhibit.
This is the roof of the pavilion of USA (I think).
And right next door was the pavilion of Russia, which had an elaborate 3d video effects.
Another part of the Russian installation.
Still in the Russian pavilion, where the lower floor was filled with diabolic scenes one could only witness via a special app after pointing the smartphone camera in the needed direction.
Moving to the art in Japan, where people queued up underneath to show their face in the main pavilion hall and be surrounded by dirty laundry.
Might still be in the Japanese pavilion.
“Proper time.” The faceless family and the clocks part of installation of Lee Wan in the Korean installation.
The German pavilion won the competition for the best art installation with its construction and dark “Big Brother”-like performance. The performers are locked in chains and live under the glass floor of the building, so they are literally imprisoned under your feet. The performance was over for the day, so I only captured the leftover utensils, but the feeling of walking on the glass floor was already quite intense.
These photos were part of the Australian pavilion, I believe.
A video and installation featuring several teenagers reading newspapers was featured in the Polish pavilion. I skipped many other interesting art projects, but I hope I gave you a (subjective) flavor of what the Venice biennale is all about.

Venice biennale I: Arsenale

Venue: Arsenale, Venice

Lens: Sigma 35 mm f/1.4

Lightroom preset: Old Polar

Music: Richard Wagner – Tristan und Isolde, Prelude (

It was long overdue that I post my photos and share my impressions from last year’s contemporary art biennale in Venice. I visited it more than one year ago but (hopefully) still remember something about the exhibit, so I’ll try to guide you through the photos with my comments. The art exhibits at the biennale are staged in two separate venues, Arsenale and Giardini, in two slightly different formats – a mix of various artists put together by the main curator under the name “Viva Arte Viva”, versus pavilions organized on country-basis, respectively. So let’s start with the Arsenale where the curators had mixed a number of various styles and artists in a series of big exhibition halls, with a few country pavilions towards the end.

We start with these sneakers turned into flower pots. They were part of a bigger installation with various types of shoes and plants growing out of and around them.
Some particular artistic visions of fashion, I guess (we’re still in Italy after all).
An interesting series of tilted screens and videos of colorful balloons over water. All the balloons eventually pop, at various times.
An empty room with a circular violet light, creating a mystical feel to the experience.
A bigger open space with rocks and mirrors put in random places. At times it was quite hard to understand whether you’re walking towards a mirror or towards a rock behind an empty frame..
“One thousand and one night.” A beautifully staged performance by Edith Dekyndt, where a person sweeps dust into the lit up part of the floor of an otherwise completely dark room. This was at the end of the “Viva Arte Viva” part in the Arsenale, after which the exhibits were ordered by countries, similar to the Giardini exposition.
The country pavilion of Italy, where the first floor was a vast array of mummified bodies staged in an eerie fashion.
The top floor of the Italian pavilion, created such that the floor and the ceiling seem like an almost perfect mirror image of each other. There is no mirror or any other trick though, and the size is really enormous.
A picture suspended from the ceiling of the Chinese pavilion.
Still in the pavilion of China (even if the labels are in Italian) – a mannequin positioned to stare at a piece of heavy equipment, possibly out of a ship or a submarine.
“No pain like this body” and “No body like this pain”, again part of the common exhibit.
“The horse problem”, a statue of a girl and a huge horse by Claudia Fontes, part of the Argentinian exhibition.
A prison-like installation in the Turkish exhibit (provided I again remember correctly). This was towards the end of the Arsenale part, while most of the country exhibits were staged at the Giardini (and thus in my next post).


US art: MoMA

Venue: Museum of Modern Art, New York City

Lens: Sigma 35 mm f/1.4

Music: LCD Soundsystem – American dream (

The last episode in the US art series, at least for now, takes us to one of the best established museums for modern art in the world, the MoMA in Manhattan’s Midtown. Along with some of the iconic art pieces from their permanent collection I’ll also show you some of my favorite works of Robert Rauschenberg who was the main focus of the temporary exhibition at the time I visited.

As in the previous posts of the series, we again start with a shot from the main staircase, this time of a painting depicting people on the staircase. This must the art analog of a recursive relation in mathematics.
I started from the top floor, slowly making my way down. The top floor is also showing some temporary works, this installation for example.
Another one of the works on the top floor, a collage of what appear to be children drawings glued together.
Moving on to the permanent collection of MoMA and this Tahitian woman by Paul Gauguin.
Probably the most famous and well-photographed work in MoMA, the magical Starry Night of Vincent van Gogh.
Beauford Delaney’s Composition 16 certainly can’t compare to the Starry Night’s fame, but I quite like this symphony of bright color.
If van Gogh’s work ranks as the most famous one in MoMA, then surely the Persistence of Memory of Dali, as small as it is, must be a close second.
Moving one floor down and two decades later, this is yet another American flag by Jasper Johns (this time it’s only one as opposed to the three flags of Johns from my post about Whitney). Johns was a long-time lover of Robert Rauschenberg, who will be on focus next.
The temporary exhibition was mostly devoted to Rauschenberg, and just like this old lady I was really amazed by his works. I hope to convince you in Rauschenberg’s skill by the end of this post.
Rauschenberg was one of the founders of the American pop art movement, and was a painter, a sculptor, a photographer and a performance artist combined in one.
He often combined three-dimensional objects in his paintings…
..and sometimes used more sophisticated equipment to create new experiences like this bubbly mud bath.
Rauschenberg is also well-known for his street sign compositions.
Another of Rauschenberg’s street sign jumbles and the last photo from my “US art” series. Hopefully soon I’ll get back to you with more contemporary art, this time from the east side of the Atlantic.

US art: Whitney

Venue: Whitney Museum of American Art, New York City

Lens: Nikkor 50 mm f/1.4 & Samsung S7 camera

Music: The National – Sleep well beast (

The Whitney Museum of American Art only exhibits very contemporary local artists, resulting in a weird mix of different media and perceptions. So for me Whitney is the most unconventional episode in the US art series (some parts of the Venice biennale beat it, but I’m yet to post about it), but I’m of course always open to visit new American galleries. Enjoy, and don’t be scared by some of the pieces, it’s just art!

We start with the main staircase in Whitney with some plastic bodies hanging from the ceiling… some of them were headless.
The most famous piece in Whitney at that time were the red cubes of Lary Bell, which were out on the terrace of the museum overlooking the Hudson river and the Empire state Building to the east.
A shot of the red cubes with my smartphone from above, so you can properly grasp the installation. Each of the red cubes is made of an inner and an outer glass shell with varying transparency.
One of the rooms inside, the woman to the left is actually not part of the art piece but was standing on a queue to see one of the other art works.
Another piece from the main Whitney exhibit at the time, not sure what the idea of the artist is.
The people lining up here are not just waiting to see the nice view to the river, but rather to experience something weird. Standing on this platform is very confusing because of the hidden mirrors on the ceiling and down the edge and the side view to upside-down hanging objects giving you the idea that gravity is reversed and you’re falling down.
Another unconventional art piece making use of a smart phone camera.
A terrifying virtual reality platform. Putting on these glasses you see a bloody scene where a guy is being heavily beaten by another guy with a bat… I didn’t manage to watch it till the end.
Moving upstairs one can again catch a glimpse of the red cubes.
The view from the top floor of Whitney towards Manhattan, I guess some people just visit the museum to enjoy the atmosphere outside on warm days like that one.
Last shot of the red cubes and the passers by before moving to the last part of the museum exhibit.
The American flag, within a larger version of itself, within another larger version of itself. Stuff to think about…
A female statue.
We finish with another weird piece of art, or rather a sad computer game where your character doesn’t have too many options and starves to death no matter what you choose to do.


US art: MFA Boston

Venue: Museum of Fine Arts, Boston

Lens: Sigma 35 mm f/1.4

Music: Boston – More than a feeling (

This episode in the US art series takes us out of NYC and further north to Boston’s Museum of Fine Arts (MFA). The MFA can probably best be described as Boston’s version of the Met, and despite the worldwide fame of the latter I’d definitely rate the quality of both museums equally. So I hope you enjoy this short and, as always, highly subjective peek into the MFA. I have to admit by now I have forgotten a lot about the art pieces you’ll see, so please correct my ignorance if you spot mistakes in my comments under the photos.

A look up from the main hall of the MFA.
Going into the main exhibit and some well-photographed classic art.
Just like the Met, the MFA also exhibits a mix of modern and contemporary art and photography together with world’s art from different ages and various places around the world. If I remember correctly this particular piece is tribal art from South America, but I might be very wrong here.
And I am quite certain this is a very contemporary art!
Back to tribal art, this time from Africa I believe.
And this room definitely looks Indian/Southeast Asian.
A plate with Arabic ornaments I think…and again I might be very wrong here I’m afraid.
This object (a cigarette holder it seems?) had a really interesting story and was exhibited in a room full of similar very interesting objects coming with their amazing stories. Unfortunately I forgot the particular story, but I believe it had something to do with anti-Semitism and World War II.
Another of the objects in the same room, a very old Chinese vase. During Mao’s rule it was painted over with the red sign, if I remember correctly the sign actually saved it from being destroyed as something belonging to the old emperor dynasties.
An angry looking Chinese statue casting an appropriately scary shadow behind it.
Moving on to the more contemporary part of the exhibit, this is a close up of the installation on the top photo. The weird effect of the rows of glass objects continuing to infinity must be the result of some smart positioning of mirrors, but I couldn’t really figure out the trick.
Max Beckmann and his three skulls playing cards and drinking, that I enjoyed very much…
..and the unmistakable style of Frida Kahlo.
This is Ilya Bolotowsky, a Piet Mondrian wannabe judging from that painting.
And we finish with another weird mirror trick, making this “hole” on the floor extend to infinity. An artist’s impression of a black hole, I suppose?


US art: Bushwick graffiti

Venue: Bushwick, Brooklyn, NYC

Lens: Sigma 35 mm f/1.4 & Samsung S7 camera

Music: Meyhem Lauren – Got the fever (

As promised I am continuing the “US art” series in the new 2018, this time with a perhaps slightly surprising graffiti post from the Bushwick area of Brooklyn. As hopefully you’ll soon be convinced, the Bushwick street art tour is actually much like a modern art gallery tour, only open-air. The Bushwick collective initiative actually attracts many of the world’s leading street artists, and it’s therefore not surprising that the neighborhood became one of the top tourist destinations in NYC in recent years. I visited the place on a rainy Sunday afternoon and only managed to see and capture a small fraction of all the street art, so I’d urge people to go explore the area for themselves. Enjoy and let me know which piece you like the most!


We start with the work of a relatively local artist, Mr. Hydde, who is Canadian and prefers the surrealism and Dada styles.
This piece is much more politically charged, as you’ll realize if you visit the advertised dedicated site
One of my favorites: the New England cottontail rabbit in the original style of Louis Masai. He created a series of beautiful murals raising people’s awareness about local endangered species.
Another mural that I liked, but unfortunately the artist didn’t leave any signature on the wall, unlike Sonni on the top photo.
My friend posing on the designated spot in the hand of Dali, as depicted by Sipros (Wellington Naberezny) from Brazil.
Beau Stanton’s octopus sinking a ship. If I remember correctly this is an unauthorized work not part of the official Bushwick collective initiative that invites artists and gives them particular designated wall parts for their art.
This is definitely an authorized piece of art, created by the Dutch urban artist Michel Velt.
And this is the unmistakable style of the Italian Raul33, who creates shapes using text. If you look at the mural from up close you only see the words, but if you stand further away you start seeing the actual forms.
Another unknown to me artist with a message that is particularly hard to disentangle.
A typical street in Bushwick with some colorful murals and umbrellas.
A very original pirate boy mural, joint work by Joe Iurato and Logan Hicks.
And another joint work, by popular street artists Case Ma’claim and Pixel Pancho.
This “Addicted to likes…” mural by Giz_nyc is carrying a pretty clear message.
And here is my favorite piece of art I found in Bushwick, “Recordeal” created by the French Oji
A large mural created by PJ Linden for the famous House of Yes, a popular live performance art nightclub in Bushwick.
And here’s probably Bushwick’s most famous piece of art, the “Radiant Madonna” by New Zealander Owen Dippie.
Some strange and/or funny faces and a colorful tourist on one of the side streets, shortly before the end of our walk.
Our last stop in Bushwick was an authentic looking Mexican taqueria (forgot the name) place where we had some food and drinks before heading back to Manhattan.

US art: the Met

Venue: Metropolitan Museum of Art, New York City

Lens: Nikkor 50 mm f/1.4

Music: Luciano Pavarotti – Nessun dorma (

The Metropolitan Museum of Art, or simply the Met, can best be described as the American Louvre (from the European perspective at least). It is the largest art museum in the United States and hosts a huge collection of art pieces from all periods and locations of human life, meaning that it’s virtually impossible to visit it just once for a couple of hours and truly understand and appreciate fully everything. This was my second time at the Met and I originally planned to be very picky about the parts of the museum I see. As it turned out I also didn’t have too much time for the permanent parts of the museum as I was unexpectedly drawn to the temporary photo exhibition of Irving Penn’s works where I spent half of the time. So here comes a random and very limited collection of photos I took at the Met with my usual comments. No riddles this time (you can still try all the Guggenheim’s puzzles though, nobody got the right answers yet)!

Irving Penn was one of the most famous fashion and portrait photographers of his time. My personal observation is that his photos do interest people a lot and make them stop and stare as you see here and on the top photo where he captured Picasso in an iconic image.
Some people just looked closely at Penn’s photos…
..while others even made sketches. In any case very few passers by seemed indifferent to the collection so I urge everyone to check out Penn’s work even just online. I promise you it’s way better than anything you’ll probably ever see from me!
After the photo gallery I passed by some more abstract modern art that was more similar to the pieces I showed you from Guggenheim than the rest of the Met’s collections. Here we have the American painter Marsden Hartley…
..and here a sculpture that I liked but forgot the creator of. So I guess I do leave you with a small riddle here.
After the thin head above I had to counterbalance with a more massive sculpture that was towering over the museum visitors around.
And this is how Jean Dubuffet saw the apartment houses in Paris in the middle of the 20th century.
A more abstract black and white piece of art that didn’t seem very interesting to the girl rushing in front of my camera.
The Met also hosts a very interesting (and my personal favorite) section of tribal art from across the globe with very exotic statues made of wood, stone or various metals going under the name “Arts of Africa, Oceania, and the Americas”. Here we have a wooden statue from somewhere in Oceania or Papua New Guinea I believe.
And here are the scary looking God-like creatures also typical for the same parts of the world.
Another wooden statue from some of the indigenous people in Papua New Guinea that served for decorating their ceremonial houses in the beginning of the 20th century.
Back in time and moving to the American continent with the golden statues of the cultures from Central and South America.
And naturally we finish with the continent where we all eventually come from, with a somewhat abstract wooden statue of a man…
..and the iron statues of a man and a woman elsewhere in Africa.


US art: Guggenheim

Venue: Guggenheim Art Museum, New York City

Lens: Nikkor 50 mm f/1.4

Music: Maurice Ravel – Boléro (

On my recent US trip I visited plenty of art museums and exhibitions, mostly in New York City, and decided to assemble a series of posts with art pieces and occasionally the people and places surrounding them. Most of the art you’ll see is quite modern and abstract so it’s open for various interpretations and might not appeal to everyone. Yet this first post in the series is probably the least controversial as it features extremely famous and well established works mostly from the first part of 20th century exhibited in the Solomon Guggenheim Museum in Manhattan’s Upper East side. Paradoxically with the title of the series I chose, Guggenheim’s art pieces are predominantly European and there’s very little connection to the American continent except for the venue (with one notable exception, let’s see if you spot it). To make things more fun for the reader, I decided to give three small riddles in the photo comments below in order to challenge the artistically inclined people among you. Enjoy and good luck with the answers!

Even if the Guggenheim museum is packed with amazing art pieces, it’s probably most recognizable for the iconic spiral shaped building designed by Frank Lloyd Wright. The various paintings and sculptures you’ll see are exhibited along the spiralling pathway that curves upwards.
Vasily Kandinsky - Black lines
We start the art tour with the famous “black lines” of Vassily Kandinsky who is one of the best represented artists in the Guggenheim museum…
Pablo Picasso
..along with the hardly-mistakable Pablo Picasso, here with his “woman with yellow hair”.
Marc Chagall
Another hardly mistakable artist, Marc Chagall, with his highly non-standard view of Paris on the left and drinking soldier on the right.
Naum Gabo
Maybe very slightly less famous than the previous three artists, but at least equally abstract – Naum Gabo.
Robert Delaunay
Another abstract artist’s view of Paris – Robert Delaunay and his impression of the Eiffel tower.
Piet Mondrian
A wider shot of the museum visitors and in particular two of the famous “compositions” of Piet Mondrian. And here comes my first and easiest riddle for today – what is the relation between the music I chose and almost all the art pieces and artists here?
Nude - Amedeo Modigliani
Another famous artist, Amedeo Modigliani, chose to depict less abstract subjects in comparison to his good friend Picasso. I find a strange resemblance between the two women on the photo, don’t you think?
Oskar Fischinger
This is Oskar Fischinger with his untitled work. He’s one of the odd ones out that doesn’t fit in riddle 1 that I stated above.
Untitled II
And here comes the second riddle which has nothing to do with the Rolling Stones fan on focus: who is the author of the painting behind?
Modern art
A piece of pure wisdom that I found in the museum shop.
Vasily Kandinsky - Composition 8
Another abstract composition related to the last riddle: who created the painting and what is the number associated with it?
Jackson Pollock
Getting to the very top of the spiral pathway in Guggenheim and the final piece of abstract art, one finally reaches the unfathomable style of Jackson Pollock and the end of this art journey.


An eclectic art tour in Italy: love, mummies, and cinema

Venue: Museo della Permanente (Milano), Museo Egizio and Museo del Cinema (Torino)

Lens: Nikkor 50 mm f/1.4

Music: Domenico Modugno – Nel blu dipinto di blu (

As mentioned in my previous post (, the main reason to visit Milano this spring was a contemporary art exhibition curated with the main theme “Love”. In addition to that we also visited Torino for a day and saw the museum for ancient Egyptian art and the Cinema museum there. The combination of these three subjects seems almost impossible, and yet I decided to show you some photos with the art pieces put together from all the three museums (and even some extra bits). Hope you still enjoy them, and please let me know if you figure out the (possibly nonexistent) connection  between the various art forms.


To add to the confusing collection, we start with this solo piece of modern art in “Corso Como 10”, a small free art gallery and shop in the centre of Milano. Adding to the creepy look of the seemingly shattered glass in the middle you can see my shadow on the wall on the right. 
Already at the main art event, the “Love” exhibition in Museo della Permanente. 
An interesting combination of two old Roman statues that were originally unrelated. They were placed by the artist in contemporary times in a suggestive way. He also put a subtle layer of lipstick on the lips of the woman. Unlike this example, the statue of the kissing people on top of this post was truly originally made to show a kiss.
Fitting to the love theme, this installation with mirrors had an infinity of hearts being reflected endlessly
More heart shapes, and more messages of love left by the visitors.
One of the most famous contemporary artists, the Japanese Yayoi Kusama, and her signature style of creating art using dots.
Another famous piece of art fittingly placed at the entrance and the exit of the exhibition.
A brutal transition between love and death – an old Egyptian mummy from the very beginning of the funeral art in ancient Egypt.
A more refined version of an ancient Egyptian coffin that was made thousands of years after the mummy on the previous picture. 
And some more burial art from Egypt of ever increasing sophistication.
A copy of the sphinx, doubled by its own reflection, to show us that Egyptian art went much further than the graveyard.
Another “smooth” transition and we find ourselves in the Cinema museum! The exhibition there starts with various examples of the era preceding the cinema where people came up with many ingenious ways of creating moving pictures by strange optical illusions.
The museum is situated in the most iconic building in Torino – the “Mole Anotonelliana” (the tower of Antonelli) which was originally constructed as a synagogue but was eventually never used on purpose. It has a large dome and a tower on top, which one can nowadays reach by a lift that is suspended on the hanging wires that you see.
The main part of the museum exhibition has a large amount of photos, props, posters, and sections of movie theaters with live picture and sound from various iconic movies.
Another photo showing various bits of the exhibition, all situated in the large hall under the dome of the tower of Antonelli.
An original costume of the Alien movies as most people would immediately recognize. 
Close to the exit from the Cinema museum, on a side street in Torino, one finds yet another modern art piece reminding me of the screaming man of Edvard Munch. If by now you’re also screaming from the eclectic nature of this post, you can relax as it’s over.


Konst in and under Stockholm

Venue: Stockholm metro and Fotografiska museum, Sweden

Lens: Nikkor 50 mm f/1.4

Music: Depeche Mode – Enjoy the silence (

The next place I visited this fall was Sweden and one the main sights I was eager to see in Stockholm was the famous metro system, which is one of the cheapest and biggest modern art (or “konst” in Swedesh) museums in the world. In particular the blue “tunnelbana” line, built quite recently, hosts some jaw-dropping sights that I tried to capture. My photos are unfortunately limited to only several stations as the station-hopping turned out to be quite time-consuming and there were plenty of other things to do in Stockholm. On the plus side I had time to visit the Fotografiska museaum so I’ll also show you a few photos of other much more famous and crafty photos exhibited there. The metro and the photo museum sum up my Swedish art exploration, but there are plenty of other photos from Sweden that I promise to show you soon.

First stop on the metro: Radhuset station, under the Stockholm city hall.
And this is what you’ll see if you try to exit the Radhuset station and take the elevators upwards. But exiting would be a mistake as there are plenty of other stations to visit first!
The next noteworthy station on the way was Solna centrum, depicting rural life in Sweden with forests and wild animals and whatnot..
..and the elevators at Solna centrum are also quite amazing, probably one feels like descending to Hell when taking them down.
The next stop of Vastra skogen was less scary and the little Guinny and his friend Moewe could be taken out for a stroll.
A shot from the moving train overlooking the Duvbo station (or was it Sundbybergs, hard to tell now) with the world map.
The last stop of the mini metro tour was Tensta, which was probably the most amazing one of all, with cave-like paintings like the one here, penguins (see the photo on the top), and peace-messages all over the place.
Some octopus-like creatures and more peace messages on the far wall written in dozens of different world languages.
Part of a huge wall-painting with “amore” (love in Italian) and “esperanza” (hope in Spanish) together with the “солидарность” (solidarity in Russian) sign.
Going above the ground and into the Fotografiska museum, where the main exposition showed the photos of Anton Corbijn. He is probably the top music photographer of our days, having worked with most of the big names in the music scene. Here is an iconic photo of David Bowie.
And here a collection of the Rolling Stones.
Apart from the amazing photos you see, Corbijn also made some movies and directed many music videos, including the one of Depeche Mode in the link above.
The photo museum also has a beautiful cafe with a great view towards the somewhat misty islands of Stockholm.
But even the cafe is full of photos and has a very artsy feel.
The other expositions featured some more black and white photos of people in Italy..
..and some jeans commercials! Yes, this is a part of an advertisement campaign showing that even people in North Korea wear jeans. And a good place to end the post, bringing you from Sweden to North Korea.

More kunst

Venue: Kunsthalle, Fischmarkt, and Deichtorhallen, Hamburg

Lens: Nikkor 50 mm f/1.4

Music: Johannes Brahms – Hungarian Dance No. 5 (

As promised in my previous post from Hamburg, I decided to give you a pure art experience from the exhibitions I visited there. Obviously the photos here won’t represent anything original from me, they are more of a random collection of pieces I enjoyed seeing in the three main kunst (= art) exhibitions I visited in Hamburg: the main Kunsthalle with quite famous classic and modern art, the small art festival in the Fischmarkt which offered various art pieces for sale, and the contemporary art exhibition in the Deichtorhallen. I won’t spend much time explaining the paintings, in hope to make you search for them online or visit the actual exhibitions offline. Hope you enjoy the virtual tour and the new type of photo-topic here, and as usual feel free to comment on your favorite piece of art below.

Starting from the start: the lobby of the Kunsthalle, where four sculptures of monkeys behave like people and appreciate art – this one is clearly impressed by the artwork on the ceiling.
First came the “Old Masters” collection before moving to the 19th century and modern art.
“Madonna” by Edvard Munch, famous for the screaming guy.
A German classic: “The Wanderer before the Sea of Fog” by Friedrich.
Salvador Dali with his unmistakable style.
Moving from the priceless art in the museum to pieces with actual price tags in the Fischmarkt: close to the entrance there was a stand with a wide variety of ostrich paintings that I found quite cute.
Naturally there were many colorful and joyful paintings for sale.
Simple drawings can also be very nice.
Some larger scale heart-art with real rope attached to the painting.
A gothic-looking visitor checking out some paintings at the Fischmarkt.
And now back to museum-worthy and weird art: the contemporary exhibition in the Deichtorhallen, where also the photo at the very top of this post is made.
A collage of black and white photos of clothes…cool, right?
A minimalist take on a Japanese pole-dancer.
Abstract sculptures curated to go along with the abstract paintings behind.
A sentence on the blackboard and a candle – contemporary art has no boundaries.
Another interesting curator choice of a metal “sculture” put on the side of a black and red rectangle.
What better message to end this post with, I think there is plenty of hope for art in all its forms.

Sofia photomarathon III: Escape

Venue: central Sofia

Lens: Nikkor 50 mm f/1.4

Music: Pink Floyd – Hey You (

This is the third out of three posts about my participation in the Sofia photomarathon (scroll down to see them in chronological order). The last theme in the contest was also pretty conceptual: “Escape”. So it can be pretty much anything – a city escape to the nearby mountain, or people running away, some friends were suggesting escaping somewhere up high on a tall building..I liked instead the “escape from reality” idea making use of one of the places we went to for the previous topic in search of “silence”. I thought someone reading books in this isolated place at the library would be the true “escape” photo, but it required submitting a different type of photo for the second topic and we were happy enough with the stopped clock for this purpose.

So we headed back to the library with this idea and then wanted to try some street photos afterwards, just to try the “running away” idea and see what chance brings. And here’s what happened:

Back to the desk at the library, with my model for day.
But we wanted a darker photo where you mostly see the reader’s contour and the white curtains are  leading you away.
And this is the one that we both liked the most.
But we had to try a few more shots, changing the focus..
..or the posture.
Back on the street we saw someone else competing in the photomarathon, and she (the lady on the right, she even had a tripod) used her kids as models to run around.
So I also tried a few shots, just for fun and not to use them in the competition of course. But still the lady with the camera got pissed and came to complain, so we went on.
Another randomly spotted thing on the way – a backyard with two old and rusty cars “Moskvich” – the Russian cars that were the only option in Bulgaria during the socialist times, many years ago. An escape in different times..
And the promised tries for a street escape, but we just couldn’t get it right I think.
Another try, but we decided that’s not it, and the shots in the library are much better.
So we headed back to deliver the photos to the contest organizers, but not before taking a few shots on the way – a plane passing by is also a very obvious escape metaphor, even if this one was actually landing.
And here are some weird windows and graffiti in one of the hipstery streets in town – if you think about it pretty much everything is a form of escape from some angle.
Even this pipe was trying to escape from the sewers.

But at the end of the day we went for the reader escaping reality photo, which was probably my best shot for the day if I compare the three photos in the different topics. But surely others would think differently, so I again remind you that you can rate all the photos at by entering your email and clicking on a photo rating it from 2 to 6 (2 is bad, 6 is excellent).